Archive for January, 2010

Rose Sanderson, by Oliver.

Posted by Stephanie Fysh in Remix

Among Oliver Flores‘ wonderful range of illustrations are several based on Commons photographs. In this one, linked to by Penny in the Flickr Commons group, he isolated the main figures from the background, and brought out their infectious joy:

Rose Sanderson (LOC)Library of Congress Rose Sanderson

[Edvard Grieg with hat and coat]

Posted by Nina in Best of The Commons
[Edvard Grieg with hat and coat]

creator: E. Djupdræt
[Edvard Grieg with hat and coat], April 1907
Bergen Public Library

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The Commons: Vital, virile, virtual and viral

Posted by zyrcster in Articles
McCall Cover, Joan Caulfield

I am a co-founder of Indicommons.

That sentence feels full of hubris, since many people ‘co-founded’ Indicommons; the position, if any, that Indicommons holds in promoting and supporting The Commons on Flickr is the result of many people’s efforts, all of whom can claim, rightly, to be co-founders of this blog and community. That sense of ‘community’ is exactly what makes The Commons vital, virile, virtual and viral.

The GLAM community this week (art galleries, libraries, archives and museums) was lit afire this week when the news spread that Flickr has disabled the registration page through 2010 for The Commons:

Due to the current backlog of requests, we will not be accepting new registrations or requests to join the Commons through 2010.

It surprises me, as both a co-founder of Indicommons and as, more recently, a staff member of Flickr, that some have mistaken this statement to mean that Flickr is not supporting The Commons or is not adding new institutions to The Commons this year. The only thing this statement can mean is (a) that there is a backlog of registrations that need to be converted to accounts and (b) that the ability to register intent to join The Commons is temporarily disabled. The Commons page is live, the ability to limit searches to only Commons material is live, and (the most important piece to The Commons) the No Known Copyright Restriction license is live on Flickr.

At the heart of it all, this infrastructure is the foundation for The Commons – everything else that makes The Commons so vital is actually the community. This infrastructure is why every report made by The Commons’ institutions since the project began two years ago states that their goals have been met and expectations exceeded. I think the strongest evidence of the power of The Commons is well captured by Seb Chan, Courtney Johnston, and Kate Theimer (ArchivesNext) in recent blog posts regarding the ‘debate’ about The Commons.

The Commons is vital: we all know this.

'Mother and Child'

The community is the sum of the institutions that hold accounts on The Commons, the members who leave folksonomic information on the content in The Commons, and the staff who work behind the scenes to support the infrastructure of The Commons. Vitality is the living, breathing soul of this community; if the infrastructure brings the content of public institutions, no matter where they are physically located in the world, to people anywhere in the world with an internet connection regardless of their economic or social status and if that infrastructure lends new insight to that content, then The Commons is very much not simply alive but also vital. It is vital since it transcends physicality and propels content to those who may otherwise not have access to history or who have the ‘missing link’ that fills in the gap for archivists and enthusiasts alike.

The Commons is virile: we all should know this.

LSE Sports Day, Malden Sports Ground, c1920s

The significance of this should not be underestimated. The community is a reiterative edifice which is spiral in structure. It begins with art or history, it goes through an archival process which is largely confined within the walls of an institution, then explodes onto the public stage where new information fills any lacunas of uncertainty, thus becoming stronger evidence which answers questions about who we are or where we are or what we are and what we can become. And so the spiral repeats itself and expands itself, for as new information is pushed into the world, it provides more opportunities for new information to be obtained. This is the virility of The Commons. Through the community, archival material strengthens who and what we are in the global and local communities.

The Commons is virtual: we need to embrace this.

Paris Exposition: night view, Paris, France, 1900

The miracle of all of this is that The Commons is a global entity composed of local forms hosted on a virtual stage (or platform). This platform is Flickr. The platform exists: it is here, it is accessible despite rumors to the contrary, and it is constantly expanding. It expands every time an institution uploads a photo asking, “Where is this? What information do you have to help us identify this event?” and the community responds with rich anecdotal or scientific evidence that does identify the event.

The platform will continue to expand as long as the community contributes to it and the servers are running it.

But the platform, any platform, cannot be beholden or trapped within some one person’s personality. I am a very strong and very opinionated personality. I cannot be defined as the public face of Indicommons or The Commons, depending on which role you choose to view me in. The cult of personality is anathema to The Commons in any form, especially when you take the term at its most base meaning: public. This is very much a public phenomenon, one that is unique; there has never been a project like this hosted anywhere.

Now for two brief stories. The Commons exists not because of one person, but because one institution (the Library of Congress) contacted a social media website (Flickr) and suggested the idea. Of course strong personalities made it happen. But that doesn’t mean that the concept is solely one person’s child to raise by themselves and by themselves alone. Think: Village raising children. Better still, think: Common ground raising information for a global audience by a global network.

My second story is that for months, I carried this blog on my back, then I accepted a job offer which left me no time to blog at any of the five blogs I currently manage, including this one. In fact, a few of the original co-founders of Indicommons are doing other things with their time right now … but there are people in the community who stepped into the vacuum. So, back to the first story: there is a team at Flickr who provide support for The Commons. This team has people, some of whom like the limelight and others who do not, who are passionate, emphatic, opinionated, and in love with The Commons. Any time anyone says anywhere that The Commons is in a state of decay because one person is no longer on the team or there is no team or there is no public face of The Commons is actually backhanding the silent, quiet effort of those whose jobs entail the support of The Commons. Worse, they undermine the vitality of the project.

The Commons is viral and it depends on you.

Crowd - Union Sq. (LOC)

One only needs to ask, “Does this work for me?”

Does it work for you as an institution that you can post images to The Commons asking, “What is this, please?” and receive commentary on Flickr, Twitter, blogs, email and Facebook and within a matter of hours get data in the form of links to maps or other supporting documentation, personal stories, and metadata that enhances the value of the artifact you uploaded? And from an audience not limited to geeks or scholars but that reaches the masses wherever it is that they choose to hang out on the internet? The viral nature of Flickr itself makes this possible.

Does it work for you as an audience that you have access to the biggest names in Australian, European and American institutions’ archives; content that has previously been locked away behind glass or in a basement or trapped on a glass plate negative? Does it work for you that you can easily step up to the mound with new information to pitch to … The Smithsonian Institution? The Library of Congress? The Nationaal Archief all the way over in The Netherlands?

As a developer, do you like having access to an API and content that you can use to create exciting new places for the internet traveler to enjoy?

Does the viral nature of the internet help this project achieve and exceed its goals?

Then The Commons is very much alive and well, thanks!

A carpenter at the TVA's new Douglas dam on the French Broad River, Tenn. This dam will be 161 feet high and 1,682 feet ong, with a 31,600-acre reservoir area extending 43 miles upstream. With a useful storage capacity of approximately 1,330,000 acre-feet

I’m very excited to see the new content that will be added to The Commons this year, from both the current institutions and the new ones that are, as you read this, signing contracts and setting up their accounts. My prediction is that 2010 will blow the doors off The Commons so long as people peruse the content, institutions continue uploading and promoting the content, and developers build cool toys that add new dimensions to the content. Do you really need a cult of personality to lead this charge?

No, because The Commons is everyone’s plot of land to sow and reap rewards in. There is no tragedy of The Commons because culture is not a finite resource by virtue of its vital, virile, virtual and viral attributes.

Cris Stoddard was among the first members of the Flickr Commons group in December 2008 and among the founders of Indicommons in January 2009. Cris has worked at Flickr since the fall of 2009.

A belated Happy Commonsversary to the State Library of Queensland, Australia!

Posted by Stephanie Fysh in Articles

The State Library of Queensland, Australia, joined the Commons – appropriately — on Australia Day 2009, and it’s bookending photographs today might span only 1912 (uploaded today) to 1916 (uploaded just over one year ago), both its uploads and its participation in the Commons have been much broader.

Since the winter, in June 2009, the Library has added its Picture of the Week from the Picture Queensland home page to the Commons.
French journalist Henri Gilbert, Barcaldine, April 1900
There’s no surprise, I think, that the Library’s Bathing Beauties set is especially popular!
Beach beauties, ca. 1939
In December, the Library treated us all to its own rendition of the Twelve Days of Christmas.
Seven swans a’ swimming (lead swan and a chorus of cygnets)
But the State Library of Queensland perhaps deserves our greatest affection for its set of Moustaches — contributed to the Commons not only in recognition of the cult following of Great Mustaches of the LOC, but in honour of Movember, the annual prostate-cancer awareness and fundraising movement that began in Australia. And while we hope that Movember may someday become unnecessary, we look forward to enjoying many more with the Library in the meantime.
W. Elliot

Recent Uploads to the Commons

Posted by Stephanie Fysh in News, Recent Uploads
The Library of Congress has added to its Commons collections 22 photographs by the great landscape photographer of the American West Timothy O’Sullivan — and they’d like to know how you would like to see them focus future uploads along this line.
Humboldt Mts., Nevada
New from the Bergen Public Library: photographs from the 1898 Bergen Exhibition
The Industry Hall
Tje LSE Libraryhas added decades worth of staff portraits to its Flickr collections.
Brian Abel-Smith , c1980s
One of the new uploads from the Swedish National Heritage Board to the Curman collection is already part of a wonderful gallery: The Way Things Were, from CameliaTWU.
Seaside restaurant, Lysekil, Sweden
The Brooklyn Museum has added several more photographs to its Italian Cathedrals set, including some architectural drawings.
Cathedral, Pisa, Italy, 1895.
From the National Library of Wales, there is a new range of portraits and landscapes by John Thomas.
Newcastle Emlyn cricket team
Did someone say futebol? The Biblioteca de Arte-Fundação Calouste Gulbenkian hears you, with a set of photographs of Lisbon football stadiums.
Estádio Nacional, Lisboa, Portugal
Oregon State University Archives bring together some of their best, in Through the Season.
Skier on Mt. Hood

Somewhere in Spain – but where?

Posted by Stephanie Fysh in News

The Swedish National Heritage Board asks your help in identifying the locations of photographs taken by Carl Curman while on his honeymoon in Spain in 1878. These photos will be uploaded as the Board prepares them, but to start with …

Where in Andalusia is this?

Unidentified town in Andalusia, Spain

Unidentified town in Andalusia, Spain

New Commons registrations closed for the year to address backlog

Posted by Stephanie Fysh in News

Flickr staff posted news about wait times for joining the Commons to the Flickr Commons group at the end of last week, and the news is good or bad, depending on where you are as an institution in the application process.

Institutions that have already applied to join the Commons will find the long, often silent wait time coming to a close — good news not only for those institutions but also for Commons users.

If you’ve just been thinking about submitting the paperwork to join, though, you have longer to prepare: new applications will not be accepted in 2010. However, Flickr’s Cris Stoddart (zyrcster) does have suggestions on how best to use that time on Flickr, and welcomes questions and suggestions.

Commons users are also happy to answer institution staff’s questions about what helps and encourages us to actively look for your uploads and to give the kind of information you need. Please do make joining the user-created Flickr Commons group part of your agenda for 2010!

January 25: Burns Night in the Commons

Posted by Penny in Across The Commons

Burns Night celebrates the birthday of Scottish poet Robert Burns (1759-1796), which was January 25. If you like Burns’ poetry, haggis, rutabagas, and Scotch whisky, you might like to find a Burns Night observance near you. Or just recite your favorite poem aloud and have a look at some appropriate images from across the Commons.

At a Burns Night in 1958, the festivities include the Piping in of the Haggis. bagpiper and haggis
Galt Museum & Archives
It’s not necessary to dress up for Burns Night, but these boys posed in their finest for an Ellis Island photographer. three boys in kilts
New York Public Library
Some music perhaps? The 92nd Gordon Highlanders at Edinburgh Castle in 1846. a band in motion
National Galleries of Scotland

Emmy Towsey (Taussig) and Evelyn Ippen, Bodenwieser Ballet in Centennial Park, Sydney, ca. 1939 / Max Dupain

Posted by Nina in Best of The Commons
Emmy Towsey (Taussig) and Evelyn Ippen, Bodenwieser Ballet in Centennial Park, Sydney, ca. 1939 / Max Dupain

creator: Max Dupain
Emmy Towsey (Taussig) and Evelyn Ippen, Bodenwieser Ballet in Centennial Park, Sydney, ca. 1939 / Max Dupain,
ca. 1939
State Library of New South Wales:414459

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January 20: Happy Birthday, Ruth St. Denis (1879-1968)

Posted by Penny in Across The Commons

Modern dance pioneer Ruth St. Denis was born on 20 January 1879 (date as in the American National Biography; some sources give 1877, 1878, or 1880 instead), in New Jersey. I’ve made two purses with the set of images of her in the New York Public Library’s Flickr stream, and I know many, many other Commons fans have favorited her striking poses … Celebrate her birthday by doing a little barefoot dance, perhaps?

Ruth St. Denis in Radha Ruth St. Denis in Radha
New York Public Library
Ruth St. Denis and Ted Shawn in an out-of-doors photograph, in color Ruth St. Denis and Ted Shawn, dancing together
New York Public Library
Ruth St. Denis, a personal study taken out of doors at Mariarden Ruth St. Denis, outdoors with white scarf
New York Public Library