Posts Tagged ‘National Galleries of Scotland’

Music across the Commons

Posted by zyrcster in Across The Commons

April happens to be Jazz Appreciation Month at the Smithsonian. There’s lots of music across the Commons …

Johan at the Swedish National Heritage Board gets us started with Calla Curman, photographer Carl Curman’s wife, in a sweet cyanotype.
Swedish National Heritage Board
And Stephanie finds us a music visualizations of the Synchoric Orchestra dancing Schubert’s Unfinished Symphony.
New York Public Library
Bandstands are delightful; the music lovers enjoy a respite while listening.
Powerhouse Museum
Moses Williams plays the diddley bow. What’s a diddley bow, you say?
State Archives of Florida
Bang that drum! This is the 2007 National Powwow.
Smithsonian Institution
And a sweet photo of Irish harpist, Patrick Byrne.
National Galleries of Scotland

Found a musical image in the Commons that you love? Post it here!

Carnival of the Commons: Happy April!

Posted by zyrcster in Carnival of The Commons

Heard around the Commons:

  • The Glenview Public Library suggests using the Commons for genealogy.
  • Help the Medical Museion at the University of Copenhagen decide to join the Commons.
  • Derivative Images, of the University of Colorado (Yay! Buffaloes!), discusses the Commons.
  • Some brief summaries of the Flickr Commons session at the Computers in Libraries conference in Arlington, Virginia: Digitization 101 (Jill Hurst-Wahl and David Lee King), Librarian by Day (Bobbi L. Newman), and Library Geek Woes.
  • Lots of logging information from the Oregon State University Archives’ April Fools set! Timber!
  • The Powerhouse Museum’s Photo of the Day blog celebrates its 500th post … and you can win a print!
  • Meet curator Erika Dicker at the Powerhouse Museum’s new blog, Object of the Week.
  • Elizabeth Thomsen explores Commenting the Commons.
  • Profiling Social Networks: A Social Tagging Perspective. Hat tip to the National Library of New Zealand for this find.
  • The Brooklyn Museum posts a series of articles, “Wikipedia Loves Art: Lessons Learned.” Part 1, Part 2, Part 3.
  • Seb Chan at the Powerhouse Museum also discusses Wikipedia and that the museum’s online documentation is now licensed under Creative Commons.
  • The Smithsonian Institution (SI) tells us about Ray Strong painting the Golden Gate Bridge. See more at the SI’s Flickr group, 1934.
  • Hat tip to the SI for this info on U.S. stimulus funding for research. Government money—It’s not just for Wall Street!
  • The Library of Congress reports that the public-domain status of early sound recordings is delayed until 2067.
  • The National Media Museum aims to open a London satellite for photography exhibits.
  • The Bibliothèque de Toulouse posts a review of Jean-Paul Lilienfeld’s “The Day of the Skirt,” a broadcast about women, racism, and the integration of young people.
  • The Australian War Memorial reports on the conservation of the Mark IV tank. Oooh, tanks.

Go Visit!

April – It’s Jazz Appreciation Month! Check out the Smithsonian’s offerings.

03 Apr. – Live webcast from the Smithsonian’s Chandra Observatory! Part of Around the World in 80 Telescopes.

03 Apr.Charles Parker Day, from the National Media Museum.

Starting 03 Apr.Film screenings in 200-seat Art Deco theater resume at Library of Congress Packard Campus. A Hard Day’s Night!

04 Apr.Target First Saturday at the Brooklyn Museum—Swing-era tunes, French and Italian arias, dance, talks, and more.

04 Apr. – Join the National Galleries of Scotland for a selection of faces in the Portrait Gallery’s collection, including Mary Queen of Scots.

05 Apr. – Open day at the John Oxley Library (State Library of Queensland, Australia) in honor of its 75th birthday.

05 Apr. – Join the George Eastman House for a screening of Victor Fleming’s 1934 Treasure Island. Arrrrr.

Egyptology

Posted by zyrcster in Collections

The wonders of the Ancient World across the Commons …

Read more about this collection in the Flickr Commons group.

Images from the Brooklyn Museum, National Galleries of Scotland, New York Public Library, and the George Eastman House.

Most Commented

Posted by striatic in Collections

The most commented photo from each Commons institution, collected using data from Patrick Peccatte.

See No Evil

Posted by zyrcster in Remix

There’s a lot of creativity on Flickr. Members often share textures and backgrounds to create new art; they share tips on photo editing, too, to remix old works into new ones. Anji one is a master at melding new and vintage photography. Check out her latest work, See No Evil.

Close No. 101 High Street, Glasgow
National Galleries of Scotland
See No Evil
anji one
ORIGINAL REMIX

Forgotten Photos

Posted by striatic in Statistics

Patrick Peccatte of the incredible PhotosNormandie has followed up on his metadata statistics for all Commons institutions by providing statistics on photos in The Commons which have received little attention. If you’re interested in helping to add tags or comments to any of these “forgotten” photos, his new post contains a comprehensive list of links to photos of this kind.

Patrick searched 18,290 photos across all 19 Commons institutions, finding that 5,123 had not received any comments, notes, or tags from Flickr members. That’s fully 28% of the total collection. While that seems like a large percentage, the underlying numbers are more informative. The Commons collection is very large in many respects, but it is still small enough that certain outliers skew the average significantly, as we will soon discover.

Let’s take a look numbers institution by institution, examining how many photos out each collection have not received any tags, comments, or notes. [Data collected on February 11, 2008]

Large Collections

Library of Congress – 44 out of 5,421 (0.8%)
Brooklyn Museum – 167 out of 2,554 (7%)
Smithsonian Institution – 327 out of 1,414 (23%)
Powerhouse Museum Collection– 336 out of 1,101 (30%)
New York Public Library – 561 out of 1,300 (43%)

The Common’s largest and oldest contributor, The Library of Congress, has had tremendous success in attracting attention and metadata from Flickr members. Less than 1% of their collection on Flickr goes without comments or tags from Flickr members. The Brooklyn Museum has had comparable success.  These institutions demonstrate that it is possible to maintain large collections while virtually no photos fall through the cracks. The Smithsonian Institution is also above average, although less obviously so.

The Powerhouse Museum has a primarily regional focus (Australia), which sets it apart from the other large collections, and falls slightly below the average rate of Flickr member contributions. The NYPL is relatively new to The Commons and has uploaded many photos in a short period. It may require time before the Flickr community discovers and interacts with these photos.

Mid-Sized Collections

State Library of New South Wales – 1 out of 250 (0.4%)
George Eastman House – 60 out of 592 (10%)
Nationaal Archief – 141 out of 590 (24%)
Library of Virginia – 93 out of 314 (30%)
Musée McCord Museum – 86 out of 236 (36%)

These collections, between 200 and 1,000 photos in size, show a wide range of activity. The State Library of New South Wales behaves like some of the smaller, more concentrated collections in The Commons. George Eastman House has a broad focus, more like the Library of Congress and Brooklyn Museum, with comment/tag rates to match. The Nationaal Archief is about average, but had Flickr member tagging disabled until very recently.

Like the Powerhouse Museum, two regionally focused collections fall below the average. Musée McCord Museum focuses on Canadian history, and The Library of Virginia focuses on the state of Virginia.

Small Collections

Imperial War Museum – 0 out of 10 (0%)
Australian War Memorial – 1 out of 42 (2.4%)
National Galleries of Scotland – 8 out of 107 (7.4%)
National Media Museum – 16 out of 130 (12 %)
National Library of New Zealand – 36 out of 161 (22%)
National Maritime Museum – 48 out of 191 (25%)
State Library of Queensland – 83 out of 152 (55%)

These institutions are pretty much all above average. The State Library of Queensland provides an exception but is so new to Flickr that it almost shouldn’t be in this list.

Smaller collections concentrate activity, and fewer of their photos are missed by Flickr members.

Non-English Collections

Bibliothèque de Toulouse – 378 out of 652 (58%)
Biblioteca de ArteFundação Calouste Gulbenkian – 2,745 out of 3,073 (89%)

60% of all untagged and uncommented Commons photos are from these two institutions, which are both from non-English-speaking countries. The outlier statistics from Biblioteca de Arte–Fundação Calouste Gulbenkian require a bit of context, however. Unlike most Commons institutions, The Biblioteca uploads photos with a thorough set of tags, applied by library staff. It may be that these photos don’t need as much metadata from Flickr members, and thus receive less.

Conclusions

The analysis presented here is very simplistic, and reaches for only the most simplistic conclusions.

Smaller collections become easily saturated with tags and comments, but very large collections are also capable of similar saturation. Regionally focused institutions have challenges drawing activity through the entirety of their collections if they grow beyond a certain size, and institutions from non-English-speaking nations seem to have even greater challenges in this regard.

Commons Metadata Statistics

Posted by striatic in Statistics

Patrick Peccatte of the incredible PhotosNormandie has just published an article that provides metadata statistics for all Commons institutions. The article also includes detailed information regarding how each institution uses machine tags and photo descriptions, so if you want all the details, be sure to check out the Google translation of the original article.

Here are the statistics relating to comments, tags, and notes. The institutions are displayed in the order in which they joined The Commons. Links are also provided to the photo at the top of each category within an institution. These are useful for discovering photos that have received a lot of attention. [data collected between February 7 and 8, 2009]

Library of Congress, Washington, DC, United States

Launched on 16 January 2008, currently has 5,421 photos in 5 sets.
11,675 comments, for an average of 2.15 per photo. Max = 133
75,143 tags, for an average of 13.86 per photo. Max = 72
2712 notes, for an average of 0.50 per photo. max = 33

Powerhouse Museum, Sydney, Australia

Launched on 7 April 2008, currently has 1,101 photos in 27 sets.
1,464 comments,for an average of 1.33 per photo. Max = 97
4,619 tags, for an average of 4.20 per photo. Max = 34
305 notes, for an average of 0.28 per photo. Max = 19

Brooklyn Museum, New York, United States

Launched on 28 May 2008, currently has 677 Commons images in 6 sets.
[Following are statistics re-collected today Feb, 21]
1,508 comments, for an average of 2.23 per photo. Max = 107
4,875 tags for an average of 7.2 per photo. Max = 65
373 notes or an average 0.55 per photo. Max = 20

Smithsonian Institution, Washington, DC, United States

Launched on 16 June 2008, currently has 1,403 photos in 12 sets.
1,468 comments, for an average of 1.05 per photo. Max = 68
5,687 tags, for an average of 4.05 per photo. Max = 43
238 notes, for an average of 0.17 per photo. Max = 19
(more…)

Carnival of the Commons

Posted by zyrcster in Carnival of The Commons

News and Notables from around and about The Commons

George Oates speaks at the Digital Lives conference at the British Library, whose aim is to explore a wide range of aspects of digital lives and the curation of personal digital archives. She attends via…. Second Life. ;-)
virtual
George Oates

New Images from The Commons

Happy Valentine’s Day!
from the State Library of New South Wales
Valentine's Day
Valentine’s Day
The Harper Collection, from the newest member of the Commons, the State Archives of Florida! This collection consists of the surviving glass negatives of noted portrait photographer Alvan S. Harper. Especially noteworthy are Harper’s portraits of middle class African-Americans.
Harper Collection
Also from the State Library of New South Wales, Discover Collections – Theatre in Sydney, photographs of the theatrical world of the first half of the twentieth century in Sydney, Australia. Discover Collections - Theatre in Sydney
Theatre in Sydney
RARET, Rádio Europa Livre from the Biblioteca de Arte-Fundação Calouste Gulbenkian … and yes, I do hear the song Radio Free Europeplaying in my head.
Rádio Europa Livre
Explore beautiful Figeac, France,
courtesy of the Bibliothèque de Toulouse.

Figeac
The National Library of New Zealand adds more wonderful panoramas of Christchurch, Hawke’s Bay, and Nelson. Panoramas of New Zealand
Panoramas of New Zealand

Go Visit!

13 Feb.: Unearthing the Truth: Egypt’s Pagan and Coptic Sculpture opens at the Brooklyn Museum; Edna Russman blogs about the exhibit and full disclosure of authenticity.

16 Feb.: The Main Reading Room is open for public viewing at the Library of Congress, for Washington’s Birthday.

Now through 05 Apr.: Freedom Sisters, the traveling show from the Smithsonian Institution, is running at the National Civil Rights Museum in Memphis, TN. Check out the blog post from the Smithsonian about the exhibit.

Now through 19 Apr.: 25 Years of Photography: Celebrating the Anniversary of the National Collection, at the National Galleries of Scotland.

Ongoing: Urban Life through Two Lenses: A century apart, but the same place, and the same time: two photographers, two lenses, but the same goal. An online exhibit that brings Then-and-Now to a new level, from the Musée McCord Museum.

Edinburgh: Then & Now

Posted by zyrcster in Then and Now

Glen Lowry (Vo0Ds), a Flickr user who lives in Edinburgh, re-shot some of the old photos from the National Gallery of Scotland (”as closely as patience and access allowed,” he says) to see exactly how much or how little the city had changed.

Tollbooth and Cannongate, Edinburgh:


National Gallery of Scotland

Glen Lowry
THEN NOW

We took some time to ask Glen about this endeavour.

Glen, what prompted you to take on this project?

I decided to reshoot these particular photos because they were interesting and the places they were taken from; i was sure that i could get to pretty much the same place today. There were, however, a few shots that I would have liked to get, such as the picture of Lothian Rd.

How about some tips for doing a Then and Now series?

Essential equipment for re-shooting edinburgh was my trusty TZ2, the photos printed out and stapled back to back inside plastic pockets, a comfortable pair of shoes for all the walking and a good warm coat! I’m lucky that Edinburgh has a very compact city centre, all the locations are within a few minutes walking distance and the entire lot could be done in a few hours.

The technique was hold the picture up to the scene and pick out landmarks that were still there, using these try and get the zoom and distances between landmarks right, it helps if there’s s particular landmark to centre the shot on. I took over 10 photos for most shots except princes street, I just snapped that off and thought the street was too busy at the time, once I got home though, the manic nature of the shot was a great contrast to the original. A bit of cropping and colour adjustment finished the shots off and the end result was better than I had anticipated and I’m modestly pleased with the project.

So what’s next?

Erm… I don’t honestly know but I like to travel and if I’m going somewhere I will definitely look up the Commons before hand, even just for interests sake. My girlfriend is taking me to Rome in a few weeks so I will have to have a look and see if there are a few photos I think I can reshoot!

It’s definitely a project I would repeat somewhere else and would urge others to try it and share what they create.

See more in the Flickr Commons group discussion.

A Last Tie to Robert Burns in the Age of the Photograph

Posted by Stephanie Fysh in Best of The Commons

Robert Adamson, David Octavius Hill
Isabella Burns, Mrs John Begg, 1771–1858. Youngest sister of Robert Burns, 1843–1846
National Galleries of Scotland: PGP HA 277

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